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Suzanne de Passe of
de Passe Entertainment

 

Motown Records.
"Lady Sings the Blues."
"Showtime at the Apollo."
"Zenon, Girl of the 21st Century."

Suzanne de Passe is the powerhouse woman behind all of these ventures.

The Chairman and CEO of de Passe Entertainment, Suzanne started her own production company in 1992 after a successful career at Motown Records.

She began her career at Motown as creative assistant to Berry Gordon, and subsequently rose to the position of president of Motown Productions. She was a partner in Gordy/de Passe Productions prior to establishing de Passe Productions.

The recipient of an Academy Award nomination for co-writing the screenplay, "Lady Sings the Blues," de Passe garnered two Emmy Awards and NAACP Image Awards as executive producer of "Motown 25: Yesterday, Today, Forever" and "Motown Returns to the Apollo."

She also served as executive producer for the highly acclaimed and award- winning mini-series "Lonesome Doves," "Small Sacrifices," "The Jacksons: An American Dream," "Buffalo Girls," and the four-hour NBC mini-series, "The Temptations," which won an NAACP Image Award for Best Mini-Series (it was also nominated for a Golden Globe Award and six Emmy Awards, including Best Mini-Series).

The subject of two Harvard Business School case studies, "Suzanne de Passe and Motown Productions, and "de Passe Entertainment," Suzanne was named the new AOL Time Warner Visiting Professor in the Department of Radio, Television and Film of the Howard University School of Communications beginning in the fall of 2002.

Inducted into the Black Filmmakers Hall of Fame in 1990, de Passe was honored as Revlon's Business Woman of the Year in 1994, and received the American Women in Radio and Television's prestigious Silver Satellite Award in 1999.

More recently, she has moved in front of the camera as a judge and coach on the newly created reality show, "All American Girl" on ABC.

(This article is reprinted from the Fall 2003 edition of Enterprising Women magazine. Copyright 2003, Enterprising Women Inc. Reproduction in whole or part is prohibited, except by permission of the publisher.)

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