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Marcy Carsey:
Not Your Typical Entertainment Legend

 
BY JUDITH LUTHER WILDER

A s a Hollywood Diva, Marcy Carsey is a bust. She has the credits and the balance sheet to qualify for the Diva Club, but the attitude that defines a Maria Callas or a Madonna (not names one usually reads in the same sentence) is conspicuously missing from the Carsey bag of tricks.

For readers that haven't watched popular television in the past 20 years, Marcy Carsey is a partner and co-founder of Carsey-Werner-Mandabach (CWM), one of the most successful independent studios in the history of the television industry.

CWM shows are seen in more than 175 countries and include hits such as "The Cosby Show," "A Different World," "Roseanne," "Grace Under Fire," "Cybill," "3rd Rock from the Sun," "That 70's Show," and "Grounded for Life." Not a bad list of credits for an English Literature major from the University of New Hampshire. Heck, it wouldn't be a bad list of credits if your name were Michael Eisner.

Cut from a Different Cloth
Proving that you can take the girl out of New England but you can't take New England out of the girl, Carsey is defined more by her family from Weymouth, MA, than by the industry that landed her a spot in the National Academy of Television Arts and Sciences' Hall of Fame.

While her Studio City office may sport everything from the Women in Film "Lucy Award" to the "David Susskind Lifetime Achievement Award" from the Producer's Guild of America, she probably knows fewer Hollywood stars than the average starlet on the Beverly Hills cocktail party circuit.

Rather than power vacations at chic resorts supported by the rich and at least temporarily famous, Carsey's vacations are strictly East Coast family affairs. Together with her 91-year old mother, her brother, her nephew and his family, and her own children and their friends, she spends two months each summer exploring the joys of sitting on her porch and staring at the Atlantic.

Given the choice, Carsey prefers to dine in rather than dine out. Dinners in her household take the form of large and loud multi-generational meals. From time to time, the former ABC senior executive can even be spotted playing the spoons in a backyard concert with a pick up band of family members and local musicians.

Carsey's volunteer activities also take place far from the movers and shakers of the entertainment industry.

A founding member of Women's Enterprise Development Corporation, Women Incorporated, and most recently, the Center for Cultural Innovation - all nonprofit organizations dedicated to economic development for people who never have had the keys to any executive washroom - Carsey is generally the only recognizable name on the letterhead of the nonprofit causes she supports.

These days, she no longer rushes to board meetings wearing shirts swiped from the set of one of her television shows, but she also is seldom sighted in outfits featured at Versace's spring launch.

In short, few of the trappings of an entertainment industry legend are in evidence when Carsey aligns herself with grassroots or community projects. With some justification, one recipient of her generosity described Marcy Carsey as a "stealth donor."

Even an occasional vacation in Europe skirts the star-studded trails leading to glamour spots like Puerta Banus and Monaco.

Biking with her brother and his friends through the French countryside is more Carsey's speed, particularly if the countryside is dotted with roadside wineries. Instead of a personal trainer to get her in shape for a daily hour (or six) of flatland biking, she opts instead for 10 long minutes of frenetic air biking to get her sufficiently toned the night before she hops a plane for France.

Having It All
Which is not to say that Marcy Carsey takes either her private life or her business casually. She and her longtime partners, Tom Werner and Caryn Mandabach, have structured their company so that they have no outside interests or shareholders to protect.

Which is not to say that Marcy Carsey takes either her private life or her business casually. She and her longtime partners, Tom Werner and Caryn Mandabach, have structured their company so that they have no outside interests or shareholders to protect.

The partners have positioned themselves so that they have the freedom to take risks and to pick and choose the projects and partners they want, both in television and in the movie industry. Sometimes it works out, sometimes it doesn't. But, in the last 10 years, the various operating divisions of CWM have generated more than $3 billion.

CWM's financial strength also enables the partners to have personal lives. At an age where their children are exploring their own independent careers, the principals of CWM are both young enough and old enough to enjoy the financial rewards, the recognition, the honors, and the independence their success has earned them.

Carsey may always have been old enough and young enough to define success in the process of the journey and the pleasures of the moment. Not one to view 20-hour work days as a good thing, she always made an effort to carve out time for Little League, sailing with her family, and dinner with her kids.

Sometimes it worked, sometimes it didn't. Speaking at a women's conference in 1996, she said, "It's not true that you can't have it all. You just can't have it all at once."

She may still believe those words but today, the former NBC tour guide, who is moving away from the sunny side of 50, must feel she finally has most of whatever it is. 2003 could be, for her, one of those lucky moments in time where life really is about as good as it gets.

Her adored mother lives with her, her children (both of whom apparently inherited their late father's "funny bone") work nearby in Los Angeles. Her brother and nephew are close enough to come to dinner when she vacations back East each summer, and 100 million people, speaking 50 different languages, still watch the programs she and her pals created after she and Tom Werner turned in their keys at ABC-TV. Not bad.

It's true that women who play spoons probably never truly inspire the awe that Divas generate. But, on the other hand, who wants awe when you can have laughter, good friends, funny kids, and a business that generates $3 billion every decade or so?

JUDITH LUTHER WILDER is president of the Center for Cultural Innovation (CCI) in Culver City, CA, the only small business development center in the country designed specifically to serve the business needs of artists. She can be contacted at 562-597-2235 (e-mail: JudithALW@aol.com).

(This article is reprinted from the Fall 2003 edition of Enterprising Women magazine. Copyright 2003, Enterprising Women Inc. Reproduction in whole or part is prohibited, except by permission of the publisher.)

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